In her exhibition Gerade um die Kurve (Straight around
the Bend) Annebarbe Kau presents recent works of various media:
video and sound installations as well as a group of new drawings and objects.The
video works concentrate on a single subject: the back of a womans
head. The situation could hardly be more familiar: we seem to be looking
at a person waiting in front of us. Yet the commonplace situation contrasts
with the artificiality of the mise en scène. The movement of her
hair, unintentional starts or motionless perseverance can be understood
as plot. The stillness and the renunciation of movement, of
the swing of the camera, and thus of a readable narration, transplant
the viewer to an atmosphere of concentration and composure.
The sound installation hörbar (audible) can
be experienced with ears and eyes. The way the work functions and its
individual elements, such as speakers and cables, are put ostentatiously
in front of the viewer. The brittle poetry of the visible contrasts with
the sound-space.When
the differentiation of word, music, and sound becomes blurred, associations
occur which do not force themselves on the listener, but rather allow
her or him room for her or his own imagination. The cables leading to
the speakers, laid out in a meandering mesh, acquire their own sculptural
and graphic aspects.
One finds the same linear elements in Annebarbe Kaus latest drawings.
Serpentine lines, strokes of the pen, determined by the movement of the
hand, suggest something musical in the rhythmic movements. Other works
focus on the elementary means of the art of drawing: line formations are
drawn extremely thin, planes sketched with coloured pencil. At times one
seems to recognize vegetative forms, which applies as well to the objects
of wires and yarns. Yet the descent from the linear drawing process pushes
the mimetic aspect to the background.
Annebarbe
Kau *1958 in Ratingen, lives in Köln (Cologne).
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